Who created metronomic irregularity I?

Who created metronomic irregularity I?

Eva Hesse
She made a distinct move from painting to sculpture, exploring Minimalist structures resonating with human emotion, such as Hang Up, 1966, Metronomic Irregularity I, 1966 and Addendum, 1967, where logic falls into random expression. Eva Hesse in her Bowery Studio, 1967.

What is the content of metronomic irregularity by Eva Hesse?

In Metronomic Irregularity, versions I and II, Hesse creates resonation and oscillation between the blank wall and the panels of the sculpture. The wall becomes a part of the work, participating in its own type of oscillation or exchange with the �something else� of the work.

What is Eva Hesse famous for?

Eva Hesse (January 11, 1936 – May 29, 1970) was a German-born American sculptor known for her pioneering work in materials such as latex, fiberglass, and plastics. She is one of the artists who ushered in the postminimal art movement in the 1960s.

When did Eva Hesse move to America?

1939
Eva Hesse was born in 1936 in Hamburg, Germany. When she was only two years old, her parents sent her and an older sister to Amsterdam to escape the Nazi persecution of Jews. In 1939 the family moved to New York City, where Hesse was raised and educated.

What came after minimalism?

Postminimalism is an art term coined (as post-minimalism) by Robert Pincus-Witten in 1971 and used in various artistic fields for work which is influenced by, or attempts to develop and go beyond, the aesthetic of minimalism. In music, “postminimalism” refers to music following minimal music.

What school did Eva Hesse go to?

Yale School of Art1957–1959
The Cooper Union1954–1957Pratt Institute1952–1953Yale UniversityM630 The High School of Art and Design
Eva Hesse/Education

What influenced Eva Hesse?

While at Yale, Hesse studied under Josef Albers and was heavily influenced by Abstract Expressionism. After Yale, Hesse returned to New York, where she became friends with many other young minimalist artists, including Sol LeWitt, Donald Judd, Yayoi Kusama, and others.

When did post minimalism begin?

1960s
The term “Post-Minimalism” was first used in reference to a range of art practices that emerged in the wake of Minimalism in the late 1960s. In a similar manner to the term “Post-Impressionism” it serves to gather together a range of styles that are related, yet which often have very different, even opposing interests.

What made minimalism radical versus traditional art?

Minimalism: Concepts, Styles, and Trends The Minimalists’ emphasis on eradicating signs of authorship from their art by using simple, geometric forms and industrial materials led to works that resembled simple objects rather than traditional sculpture.

What did Eva Hesse do in the 1960s?

Hesse was among the first artists of the 1960s to experiment with the fluid contours of the organic world of nature, as well as the simplest of artistic gestures.

When did Eva Hesse start writing repetition nineteen?

In 1968, Hesse was introduced to fiberglass, which was the material of choice for the period’s Repetition Nineteen series. Unlike Schema, which is a serial work in the strictest sense, the Repetition pieces seem to take place in random arrangement.

Why did Eva Hesse start her art in latex?

Meanwhile, Hesse started her first pieces in latex, a material that attracted Hesse due to its flexibility and its lending an organic quality to objects. The latex spheres of Schema (1968) soften the rigidity of the 12 x 12 matrix, thus subverting its harsher Minimalist overtones.

When did Eva Hesse make ring around Arosie?

Hesse’s experimentation led to Ringaround Arosie (1965), which she described as the representation of a breast and a penis. A selection of Hesse’s reliefs and paintings were exhibited at the Kunsthalle Düsseldorf during the last month of 1965, the conclusion of the couple’s year-long German sojourn.